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Save the Date: June 24, 2026 12:00pm - 5:00pm EDT
Registration opens in May |
Featuring presenters from a range of fields and practices, |
KEYNOTE: Chasing Rainbows: The ISCC, Problem 2, and the Attempt to Define Colors In 1931, people who lived and worked in color--researchers, scientists, manufacturers, fashion forecasters, academics, and a few government wonks for good measure--gathered in New York City with one goal in mind: to come up with a commonsense, plain English way to describe colors. This group (the Inter-Society Color Council) thought this task (called "Problem 2") would be a simple one; in truth, the solution to Problem 2 would take nearly 50 years to complete, and raised some sticky wickets along the way that were never entirely solved. What are the basic color terms, and why should "olive" be one? How colorimetrically "slightly" is "slightly redder"? Why are there so many damned "aquas" in this commercial color world, and why aren't any of them actually aqua? Join Kory Stamper on a romp through the history of the ISCC, the problems of Problem 2, and the story of how the ISCC and the National Bureau of Standards joined forces to create one of the most user-friendly and commonsense color designation systems in modern America that nonetheless went exactly nowhere. |
| Industry Presentation - The Language of Marketing |
| Science Presentation - A Brief History of CIELab Ann Laidlaw worked in industrial color communication and management during her career with SheLyn, GretagMacbeth, X-Rite, and as an independent consultant. Her work centered on global supply chains, mostly in the textiles and apparel industries. She is a recipient of the ISCC Nickerson Service Award, the AATCC Chapin Award, and the AATCC Education Award. She served on the boards of ISCC, AATCC, and CORM. She is now retired in central Georgia, and enjoys a life-long hobby of sewing. |
| Education Presentation – Colour Literacy in the 21st Century Luanne Stovall, MFA, Tufts University, is an artist, color theorist, and lecturer at the University of Texas at Austin. She attended Miami University, New York Studio School of Drawing, Painting Sculpture, NYC; Skowhegan School of Painting and Sculpture, Maine; and The University of Texas. Luanne is a member of the Colour Literacy Project Core Team, Host of the Colour Literacy Forums, and team lead for ISCC Fluorescent Fridays. She has taught color courses and workshops in many locations including The Contemporary Austin, School of the Museum of Fine Arts, Boston, Wellesley College, and MIT Sloan School of Business. |
Her paintings and works on paper are in many collections, including the Art Museum of South Texas; El Paso Museum of Art; Blanton Museum, Austin, TX; Moakley Cancer Care Center, Boston; and the Estee Lauder Collection. |
| Design Presentation Sandra Sampson is the founder of Vital Color™ by Simple Modern Style, a multi-disciplinary color design and graphic design studio. With an insatiable thirst for creative exploration, she transforms consumer preferences,color trends, and market research into captivating color palettes and design that successfully engage target markets across industries. During her over twenty-year tenure with the Color Marketing Group® (CMG), Sandra has served as Board Member, Executive Committee Member, VP of PR and Communications, and Immediate Past VP of Education. |
Most recently, Sandra has volunteered on the Education and CMG Summit Planning Committees and was a speaker at the 2025 International Summit - Chromatic Connections, ColorContext Workshop. Sandra holds a BFA from Art Center College of Design and completed advanced color design studies at the Eiseman Center for Color Information & Training. She serves as a Board Member of the Inter-Society Color Council and is a past Fellow of the Royal Society for Arts, Manufactures, and Commerce (RSA). When not in her studio, Sandra enjoys reading about color and design, sailing along the Southern California coast, and playing with Kitt, her Alaskan Malamute. |
Join your peers and colleagues in the principal professional society in color in the United States.
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